论戏剧的三种本质——《模仿 镜像 复象》介评

On the Three Essences of Dramas——An Interpretative Introduction of“Mimesis,Mirror,Double”

关于戏剧的本质,西方学者众说纷纭,汉娜·斯克尔尼柯夫的《模仿镜像复象》通过史论结合、实例分析和引述名家观点,介绍了"模仿"说的理论渊源和发展脉络,分析了莎士比亚戏剧作为集体记忆方式的"镜像",并阐释了安东尼·阿尔托眼中的作为剧场"复象"的现实。本文对这篇文章的主要内容进行梳理和介评,对其中的一些未加详细阐释的观点展开阐发,以期加深对戏剧本质的理解。

The essential nature of dramas is a disputable issue in the Western literary world. ＂ Mimesis, mirror, double＂, written by Hanna Scoluicov, outlines the theoretical foundation and the development of the theory of ＂mimesis＂, it analyzes the nature of ＂mirror＂ of Shakespearean dramas as a collective memory and expounds the reality as a ＂double＂ of theater in the eyes of Antonin Artaud. This paper attempts to give an interpretative introduction of ＂Mimesis, mirror, double＂ in the hope of contributing to the understanding of the essential nature of dramas.