至圣圣母领报教堂与安德烈·德尔·萨托的壁画

Basilica della Santissima Annunziata and Frescoes of Andrea del Sarto

通过分析佛罗伦萨至圣圣母领报教堂"誓言庭院"里的湿壁画,特别是其中的"圣菲利浦"壁画的空间和背景,与至圣圣母领报教堂内外真实建筑和空间的关系;讨论安德烈·德尔·萨托作为佛罗伦萨手法主义的早期艺术家,所创作的壁画的空间和结构与真实建筑和空间的紧密关系。

This paper analyzes the relation of space and background in frescoes, especially those about St. Fillippo in Cloister of Vows at Basilica della Santissima Annunziata and real space and real architectures in and around the church. It reveals the strong connection between fresco space produced by Andrea del Sarto, one of most important artists in Italian Renaissance, and the real space and real architecture.