图像与文本的相互阐发--论《护生画集》的文本“互读”

The Analysis of Images and Text——Interreading of The Album of Life-protecting

当今学界对于《护生画集》文本的研讨聚焦于丰子恺所作之"护生画",而李叔同与丰子恺遴选或创作的诗文也是《护生画集》的重要组成部分,诗文和漫画共同构成了作品,故不应顾彼失此。本文意在为《护生画集》寻找一个新的开启方式,即立足于诗文与漫画的互文性,从漫画的文学性和诗文的"写生"两方面分析《护生画集》中"诗""画"文本的对话,并找出隐藏在诗文和画题中的"第三文本";然后以此为切入点,从文本的互文性深入到主体的互文性,阐释由主体间性导致的李"诗"与丰"画"之间的"契合"与"误读",进入多重对话层面;最终将视线扩展到文化视域,揭示《护生画集》诗画互文的内蕴显现:"护生"与"护心"不单纯宣传佛教文化,还要解决人生的根本问题,"戒杀"和"向善"超越了特定时代,要从源头处消解征伐。

The paper looking for a new open means,namely based on the poems and comic intertextuality,from comic literature and poetry＂sketch＂from two aspects of the analysis of the＂protection＂of life＂poem＂,＂painting＂in the text of the dialogue,and find hidden in the＂third text＂in poetry and painting;And then as a breakthrough point,from the intertextuality of text into the main body of intertextuality,interpretation caused by intersubjectivity ＂poem＂and li feng＂painting＂between the＂fit＂and＂misreading＂,enter multiple dialogue level; Eventually to expand the line of sight to cultural horizon,reveals the intrinsic album： protection of life and intertextuality： ＂the protection of life＂and＂to protect the heart not pure propaganda of Buddhism culture,but also solve the fundamental problem of life,＂stop killing and＂for good＂beyond a certain age,from the source to eliminate conquering.