摘要
20世纪20年代,在多元型批评者的推动下,中国传统话体文学批评形式在"边缘型媒体"上海游戏场小报中得到了宝贵的发展,生产出大量以诙谐之笔、慕香奁之风、写游戏之文的篇章。尽管小报批评者曾致力于将新形式、新内容引入古典批评场域,但受制于时代政治的影响和报载话体本身的局限,革新话体的尝试并未取得令人瞩目的成果,反而日渐消弭贬损于粗制滥造的评论文章和提倡娱乐的消费氛围之中。
In 1920 s,driven by the diversity of critics,the traditional Chinese literary criticism in the Shanghai tabloid newspaper has been a valuable development,resulting in a large number of entertainment articles.Critics strive to create new forms and new content in the field of traditional criticism.However,subject to political influence and style restrictions,critics did not achieve significant results.The value of literary criticism is gradually diminishing in the entertainment atmosphere of tabloid newspapers.
出处
《兰州学刊》
CSSCI
2018年第4期65-81,共17页
基金
国家社科基金重大项目"民国话体文学批评文献整理与研究"(项目编号:15ZDB066)的阶段性成果