摘要
在自然审美中,苏轼空心静性以敞开本真心灵感受万物,由游于物外至寓物为乐,以自然为丰富心灵、发展自我的媒介,由思无所思达至心无所住的情感自由,将游观山水的当下情感体验化作永恒生命感受,这不仅是苏轼山水审美的运思方式,也是其人格境界的提升方式。通过这种方式,自然中的山林之境便与苏轼的心灵世界在更高层次上联系在一起,成为他生命境界的外化。
In the natural aesthetics,Su Shi keep his heart stay quietness and emptiness to enjoy the natural landscape. He stay beyond the nature objects and consider it as the medium to develop himself. Su Shi even stop the rational thinking and enjoy the nature only by perceptual emotion,turn the sentiment experience into the aesthetical life experience. That's not only the thinking mode of Su Shi's natural aesthetics,also the way to improve his personality realm. By this way,the morphological of nature has associated with the spiritual world of Su Shi,and become the performance of his life boundary.
作者
马蓉
冷成金
MA Rong;LENG Cheng-jin(School of Liberal Arts, Renmin University of China, Beijing 100872, China)
出处
《河北学刊》
CSSCI
北大核心
2018年第3期123-128,共6页
Hebei Academic Journal
基金
2016年度中国人民大学《中央高校建设世界一流大学(学科)和特色发展引导专项资金》项目(16XNL008)