论建国以来山西电影农民形象的变迁——基于中国电影社会学视角的考察

On the Vicissitudes of Peasant Image in Shanxi Movies Since the Founding of the People’s Republic of China——From the Perspective of Chinese Film Sociology

在近代西方工业文明的冲击下,中国的农耕文化发生重大变革,"农民"一词也有了更多的政治隐喻。文艺作品中的农民形象亦辗转于知识分子社会诉求与国家意识形态传播的书写之中。本为一种职业身份的"农民"在被推向"现代化"的过程中,逐渐成为"落后"的代名词,而国人以脱"农皮"为荣。建国以来,山西电影人致力于拍摄农民题材影片,为观众呈现不同时期的农民影像,从中我们可窥见农民形象变迁与中国社会变革息息相关,他们既凝结着中国社会各时期的意识形态,也承担着山西电影人所赋予的社会责任。

Under the impacts of modern western industrial civilization,great changes have taken place in the farming culture of China,and the term of＂peasant＂has had more political metaphors.The images of peasant have existed in literary and artistic works both from the viewpoints of the social appeal of intellectuals and the diffusion of state ideology.As a professional identity,＂peasant＂gradually became synonymous with ＂backwardness＂in the process of modernization,and a large number of Chinese people were proud of changing their identity as peasants.Since the founding of the People＇s Republic of China,Shanxi film-makers have devoted themselves to making the films with the themes of peasants,and presenting peasants＇ images of different periods to the audience.The vicissitudes of peasants＇ image are closely linked to the social changes in China.They reflect not only the ideologies of various periods in China but also the social responsibilities that taken by Shanxi film-makers.