伊恩·麦克尤恩笔下的精神生态荒原

Ian McEwan's Spiritual Ecological Wasteland

伊恩·麦克尤恩的早期小说充斥着乱伦、暴力、性虐、惊悚等因素,体现了人性异化和社会荒诞。以"恐怖伊恩"时期的两部"小型杰作"《水泥花园》和《只爱陌生人》为研究对象,从精神生态学的视角分析小说中精神生态荒原的具体表现。麦克尤恩笔下的精神生态荒原主要体现在三个方面:人与自然的生态不和谐,人与人的生态不和谐以及人与自我的生态不和谐。多种荒原般的城市意象揭露了"家"的不确定性,体现了人与自然的生态不和谐;生活意义、道德和伦理的丧失折射了畸形的人际关系,书写了人与人的生态不和谐;人的非常态成长凸显了自我的异化,展示了人与自我的生态不和谐。

Filled with incest,violence,sexual abuse and other abnormal plots,Ian McEwan＇s early novels have embodieddesolate alienation of humanity and horrible absurdity of society. Based on the two small masterpieces The Cement Garden and TheComfort of Strangers in the Ian Macabre period,the thesis aims to analyze the embodiment of spiritual ecological wasteland from theperspective of Spiritual Ecology,which can be manifested in three aspects：disharmony between man and nature,disharmonybetween man and man,disharmony between man and ego as well. A variety of city images reveal the uncertainty of“home”,embodying the disharmony between man and nature;the loss of life meaning,morality and ethics refracts the deformed interpersonalrelationship,thus depicting the disharmony between man and man;and the characters＇ abnormal growth projects the self-alienation,exhibiting the disharmony between man and ego.