摘要
祁门傩舞是徽州傩舞的主要代表作之一,它的演出风格与程序既不与池州傩舞相同,又不同于郎溪傩舞"跳五猖",更与歙县傩舞"跳钟馗"大相径庭。通过实际考察和历史文献查阅,发现该地傩舞不同乡村也不同,主要源自于历史传承与各宗族的信仰的不同。记录分析祁门的傩舞是为了更好地保护该地区傩舞的多样性,使其按照各自的方式传承下去。
Qimen is one of the main representatives of the Huizhou Nuo Nuo Dance, whose performance s@e and program is not the same as that of Chizhou, Langxi provinces and totally different fi'om the Shexian five wild Nuo Zhong Kui Jump. Through practical investigation and historical literature, it found that in the different countries the dances are different, mainly from the historical inherit- ance and the clan creed. Recording and analysis of Qimen provinces are aimed to better protect the diversity- of the region to exorcise, in accordance with their own way pass.
作者
许平山
罗昊
XU Ping-shan;LUO Hao(Anhui Vocational and Technical College, Huizhou Culture Research Center,Hefei Anhui 230051;Chin;Huishang Vocational College, Hefei Anhui 231201, China)
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2018年第4期149-151,154,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
安徽省教育厅人文社会科学重大项目(SK2017ZD41)
高等职业教育创新发展行动计划项目(XM-17)
安徽职业技术学院教学研究项目(azy2016jyxm01)
安徽省职业与成人教育学会教育科研规划课题(azjh17024)
关键词
祁门
芦溪傩舞
游太阳
表演仪式
Qimen
Luxi Nuo
Tour of the Sun
perforating ceremony