“新现实主义”的引进及电影的输出——印度电影与20世纪50年代的电影节

Import of Neo-realism and Film Export: Indian Cinema and Film Festivals in the 1950s

意大利新现实主义电影美学在被移植到印度电影的过程中,以"庞贝电影"为代表的印度主流电影因其保守的文化态度将新现实主义电影的美学实践以及电影行业的霸主地位拱手相让给具有政府支持背景、以雷伊为代表的新一代电影制作者。尽管电影史学家倾向于将意大利新现实主义电影的影响局限于对印度"平行电影"的影响,但"庞贝电影"依然在犹疑、矛盾中谨慎地选择了现实主义,从而彰显了"庞贝电影"的自我形象。

As Italian neo-realism was transplanted into Indian cinema,mainstream films in India represented by"Bombay Cinema"lost the supremacy due to its conservative cultural attitude and thus the state-supported filmmakers such as Ray began to dominate the cinema. Though film historians tend to limit the influence of neo-realism exclusively to the"Parallel Cinema","Bombay Cinema"also adopted realism hesitantly and cautiously to display its self-image.