摘要
在后现代知识场重受关注的"审美乌托邦"话题,其意义有必要更多地落实于建构"诗性文化"所必需的理想主义精神方面。而深入把握这个问题的关键所在,是从文化人类学的角度重新审视"艺术与神话"的关系。在"大众文化"为主体的"景观社会",人们对作为诗性文化之主体的"艺术作品"的需要,早已不在于"艺术之名",而在于其是否拥有真正的审美品质。在当下,任何关于这方面的思考都离不开对艺术精神的反思,这让我们有必要将"艺术与神话"的诗学命题再度置入研究视野。
The topic of"aesthetic Utopia",which has been greatly reconsidered in the Post-modern knowledge field,lies its significance in achieving the goal of the spirit of idealism,an indispensable element in the construction of poetic culture. The key point to explore this issue should shift the attention to reconsider the relationship between"art and myth"from the perspective of cultural anthropology. In the"landscape society","pubic culture"being the subject,the public needs for"artistic works"—the subject of poetic culture,have already departed from the name of art,instead,they give great priority to the true aesthetic quality. At present,all considerations involved should focus on the reflection of art spirit. Therefore,it is necessary for us once more to put the poetic proposition of"art and myth"into the research scope.
作者
徐岱
XU Dai(College of Media and International Culture, Zhejiang University, Hangzhou 310028, China)
出处
《美育学刊》
2018年第3期18-29,共12页
Journal of Aesthetic Education