试论王元骧人生论美学的理论探索及其意义

On Wang Yuanxiang's Theoretical Exploration of Life Aesthetics and Its Significance

王元骧近年来所倡导的人生论美学,是其学术思想在强烈的人文关怀精神的推动下,向人生本体论方向的深入。人生论美学的"中观"视角既能涵盖实践论的宏观研究,又能走向后实践论美学的微观、具体研究。王元骧把美学研究的起点规定为与"抽象的人"相对的"社会性的个人"或曰"具体的人"。对审美对象的内感性、超验性以及审美关系的意向性静观性质的阐发,构成了人生论美学的主要理论内涵。对审美主体、审美对象以及审美关系这三者的创造性阐发,正是人生论美学的理论创新价值所在,其实践价值则突出地体现在他的美育理论中。

Wang Yuanxiang＇s advocacy of life theory aesthetics in recent years is the deepening of his academic thinking to- wards the ontology of the human being under the impetus of his strong humane care. The ＂middle concept＂ perspective of life aesthetics can not only cover the macroscopical research of practice aesthetics but also the microcosmic and concrete re- search of post-practice aesthetics. Wang Yuanxiang defines the starting point of aesthetic studies as the ＂ social individual＂ or ＂ specific person＂ opposed to ＂abstract people＂. The interpretation of the ＂interoception＂ and ＂transcendentalism＂ of aes- thetic objects and the intentional contemplation of aesthetic relations constitute the main theoretical connotation of life theory aesthetics. The creative elucidation of the three main parts of the aesthetic subject, the aesthetic object and the aesthetic rela- tionship is the theoretical innovation value of life theory aesthetics. Its practical value is highlighted in his aesthetic education theory.