摘要
清代蒙古画家布颜图画作之匠心独运在于他一改流行于清末的拾古人牙慧的作画风气,以自然造化为师,讲究真情、真景在绘画中的体现。布颜图强调寄情于天地万象,以万象生成绘画之意境,再通过笔墨将意境与自然万物融合为一,而不是单纯地描摹现实,从而使"情""景"完美呈现在画作之中。
The Mongolian painter of the Qing dynasty Bu Yantu's painting achievements are mainly reflected through his refusal in following the painting tendency of imitating ancients' paintings, and his emphasis on the presentation of real feelings and real nature in the paintings. And Bu Yantu emphasized painters should combine paintbrush and artistic conception which is produced by putting feelings into nature, so that the real nature and real feelings could be presented in the drawing paper.
作者
邢达
谭功哲
Xing Da;Tan Gongzhe
出处
《兰台世界》
2018年第5期142-144,共3页
Lantai World
基金
辽宁省教育科学"十三五"规划2017年度课题(项目编号:JG17DB227)阶段性成果
关键词
布颜图
绘画思想
师法造化
寻象观意
Bu Yantu
painting thought
learning from nature
real feeling from nature