摘要
《九宫大成》共收【香柳娘】八曲,其中三曲板式添入衬板,分别为《西厢记》与《月令承应》中的【香柳娘】曲牌。本文以此三曲中的板式结构为分析重点,并将其与《琵琶记》中的【香柳娘】曲牌进行比对,探究【香柳娘】曲牌板式发展规律。
There are 8 pieces of "Liu Xiang Niang" collected in "Grand Collection of Ancient Chinese Music". Tak- ing the metre structure of such Qu as examples, and compared it to "Liu xiang Niang" in "Pipa Ji" , this paper ex- plores the development law of the qupai metre.
作者
蔡珊珊
CAI Shan - shan(Nanjing Arts Institute, Nanjing, Jiangsu 210013)
出处
《艺术百家》
CSSCI
北大核心
2018年第1期94-97,共4页
Hundred Schools In Arts