摘要
两汉乐(舞)史上形成了两大认知体系,一是乐本体认知体系(含乐舞一体表演艺术认知体系、乐为统领综合艺术认知体系),二是乐文化认知体系(含兼容并包思想文化认知体系、乐图并立学术文化认知体系)。这两种高屋建瓴的认知体系相互作用长期蔓延,形成了华夏文明独立于世界文化之林的重要标志,并成为当下中华民族文化自信和文化复兴的核心思想支柱。
In Han Dynasties music and dance history, there were two recognition systems. One is music ontology rec- ognition system which includes integrity of music and dance, music - guided concepts. The other is music cultural recognition system which includes thought and culture, music and image. Such two strategically advantageous recogni- tion system interacted with each other and extended for a long time, and eventually formed a significant sign for Chi- nese civilization to stand independently in world cultural forestry, and also became the core thought backbone for con- temporary Chinese cultural confidence and revitalization.
作者
李荣有
LI Rong - you(Research Centre of Arts Theory, Zhejiang Conservatory of Music, Hangzhou, Zhejiang 310024)
出处
《艺术百家》
CSSCI
北大核心
2018年第1期119-121,178,共4页
Hundred Schools In Arts
基金
文化部文化艺术研究项目"两汉乐(舞)史研究"阶段性成果之一