摘要
不少作家和艺术家对黑人艺术运动做出的贡献都没有得到足够重视,重新去评估他们的作品,已成为当代非裔美国文学和文化研究中的重要趋势。萨拉·韦伯斯特·法比奥就是没有得到足够重视的一位。她的方言化理论和实践是她留给非裔美国文学史的遗产。本文将简要评介这一遗产在她的彩虹系列诗歌之中的体现,该系列诗歌由她在1973年发表的七卷诗集组成。此外,对现在以及将来如何去研究她关于文学、文化和社会诗学的相关观点,本文将提供一些有用的建议。
One important trend in contemporary studies of African American literature and culture is an effort to reassess works by writers and other artists whose contributions to the Black Arts Movement （BAM） have been accorded insufficient critical discussion. One such figure is the poet Sarah Webster Fabio. Her vernacular theorizing and praxis establish her legacy in the contexts of African American literary history. This article provides a brief commentary on her construction of legacy in the Rainbow Series, seven volumes or chapbooks published in 1973. It provides suggestions for how her specifications regarding literature and culture and modeling of sociopoetics might be studied now and in the future.
出处
《外国语文研究》
2018年第2期1-6,共6页
Foreign Language and Literature Research
