摘要
以两次世界大战期间的英国殖民政治和社会文化为背景,劳伦斯·达雷尔在其自传体小说《恋人们的吹笛手》中揭示了"帝国之子"沃尔什有"家"难回的经济、种族与文化原因。与从被殖民"他者"的视角出发对殖民政治的伦理批判不同,达雷尔从对英国底层殖民者后代沃尔什的英国"家园"情节与文化焦虑的描写入手,实现了对帝国辉煌之主流话语的政治伦理批判。
Within the contexts of British colonial politics and social culture during two world wars, Lawrence Durrell＇s autobiographical novel Pied Piper of Lovers reveals economic, racial and cultural factors that hinder the homecoming of the children of Empire. Different from the narrative perspective of the colonized ＂other＂ who launches ethical criticisms on colonial politics, Durrell carries out his political ethical criticism on imperial discourse of glory from the perspective of Walsh Clifton, one of the descendants of low ranking empire builders, who suffers from British ＂home＂ complex and cultural anxiety.
出处
《外国语文研究》
2018年第2期27-35,共9页
Foreign Language and Literature Research
基金
国家社科基金重大项目"文学伦理学批评:理论建构与批评实践研究"(13&ZD128)
华中师范大学中央高校基本科研业务费资助项目(CCNU17A06040)的阶段性成果
