小石毫尖落 元气宇内弥——从小石观潘天寿章法布局中气脉的经营

The Usage of Small Stones in Pan Tianshou's Painting

潘天寿作品中的小石,看似不起眼,实际上对于整幅作品的气脉贯通起着不可或缺的重要作用,是潘天寿通过章法布局中对气脉连贯进行有意识的经营。从中国哲学宇宙元气的机理,以及潘天寿章法布局的结构方式分析潘天寿作品中小石的不同形状与位置,认为潘天寿的绘画通过边角经营,将物象组合连贯起来形成气脉,表现运动形态,达到气韵生动的独到艺术思想和表现形式。

The small stone, though unattractive,plays an indispensable role in connecting the elements of the whole work.It is actually Pan’s intended operation for connecting. The article explores the different sizes and positions of the small stone in his works from the perspective of Chinese philosophy and Pan’s ideas on layouts. It comes to the conclusion that right through the operation of minor areas, Pan combines the objects to form a momentum and achieve a unique artistic representation.