摘要
明清以来,湘南民间宗祠演剧活动较为兴盛。20世纪以来,学术界对其关注明显不足,迄今尚无人对之做过系统、全面的专题研究。不过,百余年来一些学者在研究该地区古戏台、戏曲声腔剧种、宗祠建筑文化、民俗文化的著作或论文中,有的简要论及了"修谱戏"、宗祠演剧的剧目选择特点等问题,但多语焉不详,未作深入阐述。这些简略的论述为开展湘南宗祠演剧研究提供了珍贵资料,也提供了一些重要思路。
Since the Ming and Qing dynasties,the activities of folk ancestral dramas in southern Hunan have become more prosperous. Since the 20 th century,the academic circles have paid less attention to it. So far,no one has made systematic and comprehensive research on it. However,for more than a hundred years,some scholars have briefly discussed in their works or papers about "Repair the genealogy play"and the characteristics of the repertoire selection of the operas on the ancient stage of the region,the variety of opera plays,the architectural culture of ancestral temples,the folk culture.But,many vague words did not elaborate in depth. These brief expositions provide valuable materials and some important ideas for the study of Southern Hunan ancestral Temple Drama.
作者
李跃忠
LI Yue-zhong(Hunan University of Science and Technology, Xiangtan, Hunan,411201. China)
出处
《凯里学院学报》
2018年第2期56-60,共5页
Journal of Kaili University
基金
湖南省社科基金项目"湘南宗祠演剧研究"(16YBA172)
"湖南省汉语方言与文化科技融合研究基地"资助项目
关键词
湘南
宗祠
宗祠演剧
文献综述
Southern Hunan
ancestral temple
Ancestral theater
literature review