论舞台艺术的影响力——现实题材舞台剧创作十题

Ten Problems in the Creation of Realistic Stage Drama

在"创造"和"创新"成为新时代文化建设的核心命题的背景下,关注现实题材无疑是舞台剧创作与创新的"第一推动力"。现实题材的舞台剧创作包含艺术与技术、内容与形式、审美与消费等多层内涵,既需要"民族化"的形态建构,也需要历史范型的创造性转换;既需要借鉴传统的艺术思维和表现形式,也需要推进艺术手段的更新和程式的创新;既需要艺术技术"集成创新"的驱动,也需要类型化和模式化的构建。以"戏曲艺术的‘三并举’方针是否要落实""民族歌剧如何处理好与地方戏曲的关系""音乐剧为何会成为当代世界舞台剧中最成功的剧种""如何理解结构舞剧首先要结构好人物关系""多媒体技术能否成为舞台剧变革的动力"等十项议题为例,对新时期现实题材舞台剧创作的相关问题进行专题性探讨,以期对学界和业界有所启发借鉴。

As creation and innovation are becoming the core proposition of cultural construction, focusing on the realistic subject is undoubtedly the first driving force for the creation and innovation of the stage play. There are many connotations in the drama creation of realistic theme, such as art and technology, content and form, aesthetics and consumption, which not only need the form of nationalization, but also the creative transformation of the historical paradigm ; not only need to learn from the traditional artistic thinking and form of expression, but also the renewal of art means and the innovation of the program; not only need the driving force of integrated innovation of art and technology, but also the construction of typology and patterning. This paper will discuss ten issues, for example, ＂how do drama choose when facing realistic subjects＂, should drama three parallel policy be withheld＂, ＂how does national opera deal with local opera＂ , ＂why is musical drama the most successful drama in the contemporary world stage＂, ＂how to understand that structure dance drama must first structure character relationship＂, ＂will muhimedia technology become the driving force for the tiansformation of stage play＂, and so on. The purpose is to make a special discussion on the issues related to the creation of the realistic stage drama in the new period, with a view to enlightening the academia and the industry.