“笔墨情,林泉境”：论明代园林画与私家园林构图中的节奏共生性

Feelings for Brush-Ink, and Environment with Forests and Springs——The Symbiosis of the Layout Rhythm of Landscape Paintings and Gardens in Ming Dynasty

随着明代古典园林发展至高峰,园林绘画也顺势而生蓬勃发展。绘画构图与园林布局皆需要协调好艺术作品的外在形式节奏与创作者内在情感节奏,才能使创作者与受众在美感与情感上达到共鸣。立足于园林画与园林发展的共生关系基础上,进一步探讨园林画与私家园林在构图布局中视觉节奏、空间节奏方面的共性。

With the development of classical gardens in Ming Dynasty reached its peak, landscape paintings also took advantage of the opportunity to flourish. In order to create art works of harmony and unity and reach a chord in aesthetics and emotion between the creators and the viewers, it is necessary to coordinate the external form and the inner feelings. Based on the symbiotic development of paintings and gardens, this essay further explores Ming Dynasty when garden art development reached its peak, and the commonalities of visual and spatial rhythm of landscape painting and garden layout.