汉代贞夫故事图像再论

近年来,学界阐明浙江汉镜、山东汉画像石及河南汉墓壁画女子射箭图像,为宋康王夺韩朋之妻贞夫的故事。然而,相关研究对贞夫故事图像重要因素的认知有所偏差,就其表现多样性与地域分布的了解也不够充分。本文在论证宋王与皇后铭镜图像为宋康王拜贞夫为后表现的基础上,厘清宋康王、梁伯与孺子图像因素,进而分析贞夫故事图像表现形式及其多样性。铜镜所见宋康王拜贞夫为后情节,亦见于敦煌遗书《韩朋赋》,为该文本根源于两汉之说,再添实物例证。

For years, bronze mirrors, stone reliefs, and tomb murals of the Han Dynasty depicting images of a wom- an practicing archery have been excavated from Zhejiang, Shandong, and Henan provinces. Recently, some scholars interpreted these images to tell the story of King Kang of Song＇s kidnapping of Han Peng＇s wife, Zhengfu. How- ever, these studies did not fully appreciate the critical elements of Zhengfu＇s depictions, nor did they sufficiently ex- plore the variety of the image presentation and the geographical distribution in which they were discovered. This es- say has three focuses. The first affamas that the image on the bronze mirror, with the inscription ＂King of Song＂ and ＂Queen＂, depicts the story of King Kang of Song taking Zhengfu for his queen. The second clarifies the differ- ences in elements and constructions of some figures： the King Kong of Song, Liang Bo, and children. The third further analyzes the formations of the Zhengfu imageries and their diversity. In conclusion, the fact that the story of King Kang of Song taking Zhengfu as his queen on bronze mirror was also told in Dunhuang manuscript ＂Han Peng Fu＂ provides further evidence to support the theory that the manuscript originated in the Han Dynasty.