艺术人类学视域下的唐代时尚与外来植物纹样

The Tang Dynasty Fashion and Foreign Plant Patterns from the Perspective of Art Anthropology

艺术人类学不会孤立地从物质客体层面来解读艺术,而是从社会整体出发,从文化内部出发,关注艺术创造的动因,以及作品中的象征意义和文化内涵。以艺术人类学的方法和理论观之,唐代中上层社会的社会文化风尚比较崇尚装饰和熏香,不管是女性的配饰、服饰和妆饰,还是胡化的着装风尚,或是香薰的生活方式,都促进了唐朝对外来植物纹样的吸收。另外,佛教的引入、园艺的发展、异域移民的涌入也对外来植物的引入和发展起了重要的推动作用。

Art anthropology does not interpret art from the material objectivity, but from the whole of society which starts from the inside of culture and concern with the motive of artistic creation. Art anthropology is concerning about the symbolic and cultural connotations in the artworks. the theory and method of the art anthropology are used to analyze the social and cultural fashion of Tang Dynasty in the upper and middle society. They all endorsed fashion and burning incense. Women＇s accessories, clothing and makeup, the Northern barbarian tribes in ancient China＇s dress fashion, and aroma lifestyle, are important elements to promote the Tang Dynasty on absorption of foreign plant patterns. In addition, the introduction of Buddhism, the development of horticulture, the influx of exotic immigrants played an important role in the introduction and development of foreign plants＇ patterns.