摘要
When the national dance series Chenxiang IV was performed at Beijing Dance Academy, this work combining Han, Zhuang, Hani, Uyghur, Dai, and Korean ethnic groups＇ traditional choreography with Tibetan and Romanian features was highly praised and appealed to the audience. To strong drum and gong beats, it opened with masked dancers in red garments and with axe-spears in hand, performing a sacrificial ceremony to the god of Nuo and the Nuo Dance of Jiangxi. These Han Chinese folkdances speak to human desires and needs. In some localities south of the Yangtze River, people to the god of Nuo to drive created this dance to appeal away plague and epidemics.
When the national dance series Chenxiang IV was performed at Beijing Dance Academy,this work combining Han,Zhuang,Hani,Uyghur,Dai,and Korean ethnic groups’traditional choreography with Tibetan and Romanian features was highly praised
