摘要
本文运用20世纪五六十年代中国画改革的相关史料，从山水画时空表现的视角，关照缺席这场改造运动的画家们，分析他们的作品及日常行为。一类为精神境界内的逃避行为．指部分传统型山水画家在精神世界中逃避不满的现实，进入自我心灵的封闭时空环境，构想一个传统文化世界。另一类为心灵与肉体的空间迁移，分析“渡海三家”前往一个想象中的和谐栖息地的行为。
From the perspective of the demonstration of landscape painting＇s space and time, this article has utilized the related historic materials of Chinese painting renovation in 1950s--1960s, to concern about the painters who have absented in this innovative movement, and to analyze their art works and daily behaviors. One kind is the escaping behavior in the spiritual domain, which refers to the traditional landscape painters＇ escape from the unsatisfied reality, coming to an enclosed one self＇s space- time circumstance, and constituting a world of traditional culture. The other kind is the spatialmigration of spirt and body, analyzing Pu Xinyu, Zhang Daqian and Huang Junbi＇s behavior of coming to an imaginary harmonious living land.
作者
耿杉
刘艺菲
Geng Shah;Liu Yifei
出处
《当代美术家》
2018年第2期62-65,共4页
Contemporary Artists
关键词
时空
人际互动
日常生活
政治文化
逃避
space-time, interpersonal interaction, daily life, political culture, escape
