摘要
由四川美术学院美术学系主办的“路径与方法”系列学术讲座,旨在通过艺术家个人的创作脉络、发展线索为演讲主题,突出艺术个案不可替代的意义;通过各个阶段的创作,较为全面地呈现艺术家的创作轨迹与心路历程,尤其是个人的创作之路与中国的文化情景、美术史上下文、艺术体制之间的复杂关系。活动由两部分活动组成:艺术家的主题演讲和演讲嘉宾与批评家、川美师生的学术讨论。本期《当代美术家》为读者呈现“路径与方法”系列学术讲座的第一讲:“缪晓春——1987—2017三十年回望”的学术讨论。
The lecture series of "Approach and Method" held by Sichuan Fine Arts Institute aim to emphasize the unreplaceable meaning of artistic case, with the speech topics of artist' creation context, developing clues; through the creation of every period, the artist's creative track and psychological journey can be demonstrated holistically, especially the complicated relationship between personal creation and the context of Chinese culture and art history, institution of art. This lecture consists of two parts: the artist's speech and the discussion of guest speakers, critics and teachers and students from Sichuan Fine Arts Institute. Contemporary Artists magazine introduces the first lecture of"Approach and Method": "Miu Xiaochun--Review of 1987-2017".
作者
何桂彦
尹丹
王春辰
缪晓春
李川
陈德洪
王建玉
刘阳
马文婷
He Guiyan;Yin Dan;Wang Chunchen;Miu Xiaochun;Li Chuan;Chen Dehong;Wang]ianyu;LiuYang;Ma WenOng(No Preference Ranking,in Order of Speec)
出处
《当代美术家》
2018年第2期86-90,共5页
Contemporary Artists
关键词
影像艺术
科技
自我颠覆
video art, science&technology, self-subversion