“江南传统”的形成与董源地位的奠立

The formation of "Jiangnan Tradition" and the establishment of dongyuan's reputation

从北宋开始,"江南画"或者"江南传统"成为绘画史中出现较为频繁的字眼。这一绘画类型在整个宋代产生了极为广泛的反响,并影响后世的山水绘画。但是,"江南画"却并不是一个严格意义上的"绘画流派",它的出现存在着极为特殊的历史因素,而我们如今使用的"江南画"概念是在"江南传统"塑造中形成的。本文主要基于对"江南传统"形成的具体历史背景的考察,以米芾的《画史》为重要出发点,溯源董源成为"江南传统"之典型的原因和特殊意义,在尽力还原历史上真实"董源"形象的同时,解释"江南传统"出现的历史原因,并指明其真正完成经历了南宋时"江南"风格的接受与董源地位的确立,以及元代中后期董源至二米绘画谱系的形成两个阶段。

From the Northern Song Dynasty, "Jiangnan Painting" or "Jiangnan Tradition" became a frequent word in the history of painting. This style of painting had a very wide range of repercussions throughout the Song Dynasty and had influenced later generations of landscape painting.However, strictly speaking, "Jiangnan Painting" is not a "painting genre". Its emergence had a very special historical element. The concept of "Jiangnan Painting" we using today was formed in "Jiangnan Tradition".This article is mainly based on the investigation of the specific historical background of the formation of "Jiangnan Tradition" and the important text of "Painting History" by Mi Fu, tracing the typical reason and special significance of Dong Yuan becoming the "Jiangnan Tradition".At the same time, this article explains the historical reasons for the appearance of "Jiangnan tradition" and points out that it truly accepted the establishment of "Jiangnan" style and the establishment of Dong Yuan's reputation during the Southern Song Dynasty, and the formation of the pedigree of Dong Yuan to Mi in the late Yuan Dynasty.