作为“寨子戏”的羌族民间仪式戏剧的活态存在--来自理县蒲溪尔玛人村寨的田野报告

“Zhaizi Drama”: the Intangible Existence of the Chiang Folk Ceremonial Drama——Field Report from the Village of Lixian Puxi's Erma People

研究中国少数民族戏剧,不能不提及羌戏。来自岷江上游高山羌寨的演出实践告诉我们,羌族戏剧作为至今存活在尔玛社会中的族群遗产,对于我们无论研究羌族传统艺术还是羌族民俗生活都是不可忽视的。作为跟羌族民众生活有密切联系的仪式戏剧和民俗艺术,羌戏在其民间社会发挥着多种多样的积极功用。对于作为文化遗产和民俗艺术的羌戏,我们唯有强化研究的职责而没有弱化关注的理由。

To study Chinese minority drama, we must mention the Chiang Drama. The performance practice from theChiang villages of high mountains in the upper reaches of the Minjiang River tells us that the Chiang Drama as a groupheritage that still survives in the Erma society. It is not negligible for us to study the traditional Chiang Drama art or theChiang folk life. As a ceremonial drama and folk art that is closely related to the life of the Chiang people, the ChiangDrama plays a variety of positive functions in its civil society. About the Chiang Drama which is the cultural heritageand folk art, we can only strengthen the research without the reasons of weakening the concern.