摘要
传统的赫尔岑研究历来将其视为贵族革命者,崇尚西欧的西欧派。但文学批评家斯特拉霍夫从文化冲突的角度入手,将赫尔岑看作是一位曾经走投无路的虚无主义者,揭示了他最终转向俄国文化传统的精神历程,称他是在俄国文学中坚持民族信仰,与西方斗争的第一人。这一论述在今天看来不仅是思想家反西方理论的个案,更是19世纪下半期俄国文化自我反思的起点之一,值得关注。
Traditionally, A. I. Herzen has always been regarded as an aristocraticrevolutionary, and worshiper of the West Europe. However, from the perspective of cultural conflicts, N. N. Strakhov regards Herzen as a nihilist in despair, revealing his spiritual process of turning to the Russian cultural tradition and claiming that he sticks to the national beliefs and is the first one to fight against the West in Russian literature. This argument seems to be not only not only a typical case of the critic's anti-westernism, but also the starting point of self-reflection in Russian culture in the second half of the 19 th century.
作者
朱建刚
Zhu Jiangang(the School of Foreign Languages, Soochow University Suzhou 215006, China)
出处
《外国文学研究》
CSSCI
北大核心
2018年第2期43-54,共12页
Foreign Literature Studies
基金
国家社科基金重大项目"东正教与俄罗斯文学研究"(15ZDB092)和国家社科基金一般项目"斯特拉霍夫文学批评研究"(14BWW030)~~
关键词
斯特拉霍夫
赫尔岑
文学批评
文化特性
N.N. Strakhov
A.I. Herzen
literary criticism
cultural features