《文学通化论》的化性思想

The Idea of Transformation in A Treatise on Connection-Transformation in Literature

栾栋先生的《文学通化论》问世,为学界提供了一种新的文学理论。作为浓缩的学术思想和宏大的诗化哲学,这部著作有其不同常见文论的理念、命题、术语和表述方式,回溯归藏,倡导归潜,推演通化,将数千年来循环通转、原道通变诗论,带入了通和致化的场域,对秀至上、隐不足、潜阙如的文艺弊端,予以震今烁古的矫正。诗通归,诗通潜,诗通藏,诗通化,对于言志说以来的传统诗学和近现代引进的西方文艺美学,称得上熔铸而改造,纳陈且出新。

A Treatise on Connection-Transformation in Literature by Luan Dong provides a new literary theory for academic circles. With condensed academic thought and grand poetic philosophy, this work has its own ideas, propositions, terms and expressions, all of which are different from the other literary theories. By backtracking to Guizang（return to being hidden）, advocating Guiqian（return to being latent and potential）, and deducing and unfurling, it brings the poetic theory of circulation and Tao for thousands of years into a field of harmony and transformation. The shortcomings of beauty being put forth and foremost and of hidden and latent qualities being insufficient in literary and artistic circles are corrected. With regard to Poetics going to Gui（return）, to Qian（potentiality）, to Zang（hidden）, and to Hua（transforming）, the book brings forth new ideas for the traditional poetics and the Western literary aesthetics introduced in the modern times.