摘要
古代海洋生物书写有两大方向:一是生物性夸张,其标志是"大鱼";二是人文意义上的"鱼",在这种语境下,"鱼"常常被进行变异性处理,或者以符图谶纬的形态出现,被赋予了某种政治迹象的外在体现功能,更多时候,它被刻画为一种"人鱼"形象。这"人鱼"又分成"男性人鱼"和"女性人鱼",里面既包含着内陆文明对海洋文明的某种偏向性看法,又折射出男性世界对于海洋社会女性的某种歧视性评价。
The writings of organisms in ancient times have two directions: one is the biological exaggeration, whose mark is "big fish", and the other is the "fish" in humanistic sense, under whose context, the "fish" is often either dealt with in a way of variability or appeared in a form of amulet signs and chance, which is endowed with an external incarnating functions of a certain political indication. More often than not, it is depicted as an image of "merman". This "merman" can also be divided into "male merman" and "female merman", including both a sort of partial viewpoint of inland civilization to marine civilization and reflect back a sort of discriminatory evaluation of male world towards the marine females.
作者
倪浓水
NI Nongshui(School of Humanities & Teachers Education, Zhejiang Ocean University, Zhoushan 316022, China)
出处
《浙江海洋大学学报(人文科学版)》
2018年第1期38-43,共6页
Journal of Zhejiang Ocean University(Humanities Sciences)
基金
教育部人文社会科学研究规划基金项目“基于涉海叙事文献整理的中国古代海洋人文思想研究(编号:16YJAZH047)系列论文之一
关键词
海洋生物
变形书写
政治和人伦因素
marine organisms
transformed writings
politics and human relation factors