略论云南腾冲皮影戏的传承与保护

On the Inheritance and Protection of the Tengchong Shadow Play in Yunnan

皮影戏发源于陕西、山西、河南交汇的黄河流域,是我国出现最早的戏剧之一。与陕西、甘肃一代的皮影高度约30~40厘米不同,每张腾冲皮影的高度基本都超过50厘米,大的甚至达到70~80厘米,因此腾冲皮影又有"大皮影"之称。与影视剧的"录播"相比,腾冲皮影戏并不依赖现成的剧本,而是需要大量的即兴发挥,完全是"现场直播",因此极为考验艺人的艺术功底,而且演出还是个透支体力的活,从这层角度看皮影演出又比拍影视剧难度更大些。腾冲未来皮影发展策略:正视传统艺术没落的现实,走产业化创新发展之路;抓住腾冲旅游发展机遇,实现皮影与旅游共生共进;加大腾冲皮影戏宣传推介,推动腾冲皮影"以点带面"发展。

Shadow play originated from the Yellow River valley where Shanxi, Shanxi, and Henan meet, and it is one of the earliest dramas in China. Unlike the shadows of the generations in Shanxi and Gansu, which are about 30 to 40 centimeters in height, each of the Tengehong shadows has a height of more than 50 centimeters. The large ones even reach 70 to 80 centimeters. Therefore, the Tengchong shadows are also known as ＂ big shadows.＂ Compared with the ＂ recording and broadcasting＂ of film and TV dramas, the Tengchong shadow play does not rely on ready-made scripts, but requires a lot of improvisation, and it is entirely ＂ live on the scene.＂ Therefore, the artist-s skills are extremely tested, and the performance is still overdone. Living, from this point of view, the performance of the shadow play is more difficult than shooting a film and television drama. Tengchong-s future shadow development strategy： face the decline of traditional art, take the road of industrialized innovation and de- velopment; seize the development opportunities of Tengchong tourism, realize the shadowing and tourism symbiosis together; increase the promotion of Tengchong shadow puppetry, and promote the development of ＂ point and belt＂.