新文艺青年眼中的雪莱——以民国时期校园刊物中的译论为中心

Shelley Perceived by the Youth of New Literature and Arts as Exhibited by Campus Periodicals in the Republic of China

民国时期《清华周刊》《清华文艺》《南风》等校园刊物曾有过对于英国浪漫主义诗人雪莱比较集中的译介。以陈铨、姜书阁、饶余威、冯恩荣为代表的年轻译者,一方面对诗人的作品、心理、道德、爱情观以及哲学观等进行了全方面的译介和深入的探讨;另一方面,他们破除政治革命话语,摆脱了前辈译者将诗人利用和改写为革命和反抗的工具,用新的眼光对诗人进行理解与重塑,将其归位到真实可感的多情、感伤、忧郁的浪漫主义偶像。

This essay studies translations of and introductions to the early 19^th century British Romantic poet Percy Bysshe Shelley in College Periodicals from 1920s to 1930s in China to reveal the poet＇s transmission and reception during this time. The young translators such as Chen Quan, Jiang Shuge, Rao Yuwei, Feng Enrong paid attention to the poet＇s psychology and philosophy of love and life. Comparing with the translations and introduc- tions in the former period, the young translators got rid of the revolutionary discourses and became more professional in the Shelley research, and, at the same time, in their hands the poet was shaped into a sophisticated, sentimental and melancholy romantic idol.