遗产旅游景观建构的文化逻辑——以四川仁寿大佛文化旅游项目为例

Study on the Cultural Logic of the Heritage Landscape Construction: the Cultural Tourism Project of Renshou Giant Buddha

作为一种重要的旅游类型,遗产旅游完成了现代人与"过去"之间想象性的续接。但显然,遗产并不等同于真实的历史,它是选择性的历史记忆。围绕遗产建构的景观是为了满足现实需要而被人为发明出来的、基于历史符号元素的多种产业的复合体。它是社会建构的过程,隐含着社会各方利益团体的相互博弈和实用主义的态度。因此,遗产旅游景观实际上是披着文化的外衣进行的以利益为目的的"空间生产"的结果。

The heritage tourism as an important tourism type is an imaginary connection with the traditional culture. Obviously the heritage is not synonymous with true history. It is a selective historical memory. The landscape constructed around heritage is invented according to the actual condition. It is a complex of industries based on many historical symbol elements. It is seen as a process of social construction. It contains the mutual operation between some social interest groups such as government, developers, designers, people and so on. And it reflects a pragmatic attitude. Therefore, the heritage tourism landscape is actually the result of the production of space which is aimed at making profits under the cloak of culture.