人格与审美:孔子美学和庄子美学之比较

Personality and Aesthetics: Comparison Views of Aesthetic between Confucius and Zhuangzi

孔子美学和庄子美学分别代表着中国古典美学的两个重要派别和不同的思想策略与方法路径。孔子的儒家美学和庄子的道家美学,两者之间既有显著的理论分野也有潜在的逻辑关联。海内外学术界对孔子美学和庄子美学及其关联已有连篇累牍之阐释,依然存有"意义之空白"处。孔子美学和庄子美学的共同的逻辑归宿是人格与审美的关联,两者分别以"君子"与"至人"、"仁者"与"真人"作为审美理想的象征品和道德人格的偶像,而共同的价值标准都是建立"可信"与"可爱"相契合的主体和生活世界,使现实人生和审美创造得以统一并成为可能。

The concepts of aesthetic of Confucius and Zhuangzi in ancient China represented the two important schools respectively and the different thought strategics and methodology. The Confucius view is Confucius aesthetic view while Zhuangzi represented the Taoist aesthetic.The two views are existed the theoretic differences and the inner logic links. The academic circle all over the world published a lot of comments on the above-said two schools. However, there also exists the sense vacancy. The common logic views are the personality and aesthetic combination. They held that person idols are regarded as gentleman and real people. The common standard is the faith and love. People try their best to realize the unification of life and aesthetics.