摘要
[剪剪花]是明清俗曲中一支重要的曲牌,在山东民歌中有大量留存。众多[剪剪花]既有着结构程式性的特征,又可在既定结构内自由发挥;既具有对传统结构程式突破的一面,也有对自己的结构程式再突破的革新;它们既是同一家族的成员,又有着和而不同的品性。[剪剪花]是抒情小曲中的典范。
"Jianjianhua" is always important in the Ming and Qing Dynasties in Shandong folk tunes, it has a large retained. In this paper, by means of "structural analysis", saw its typical form and its variant forms, they have the characteristics of the structure of the program, and has established within the structure of free play; not only has a breakthrough in the traditional structure of the program, there are no breakthrough on the reform of the structure of the program itself; they are the same family members,has the character of harmony but not sameness. "Jianjianhua" is indeed in the lyrical paradigm.
出处
《淮阴师范学院学报(哲学社会科学版)》
2018年第3期294-299,共6页
Journal of Huaiyin Teachers College(Social Sciences Edition)
关键词
剪剪花
结构第一
程式
变体
和而不同
Jianjianhua
Structure first
Program
Variant
Harmony but not Sameness