一部充满对位精神的主调音乐作品——分析勃拉姆斯《C大调钢琴三重奏》op.87第一乐章

A Homophonic Composition that is Full of Contrapuntal Spirits——An Analysis of the First Movement of Brahms' Piano Trio No.2 in C Major

勃拉姆斯的室内乐创作成就别具一格又尤以钢琴重奏作品突出。笔者选取C大调钢琴三重奏作为研究对象,力图通过对其第一乐章的音乐分析来探究作品中和声与对位的完美结合,进而揭示其创作的手法和艺术特征。

Brahms chamber compositions are unique in such a wayespecially the chamber works that involve thepiano.I chose his piece in my paper becauseI would like to explore the wonderful fuse of harmony and counterpoint,and try to reveal technical and artistic aspects in this piece.