艺术作品本源的存在之思——对《艺术作品的本源》中几组概念的阐释

Thought of the Existence of the Origin of works of Art: The Interpretation of Three Groups of Concepts in The Origin of Works of Art

从存在主义哲学的角度出发,海德格尔寻找艺术作品的本源,对作品、艺术和本源的概念层层分析之后,最终发现并没有一个外物可以赋予艺术以本源,而艺术就是自身的起源,这一结果恰恰揭示了海德格尔对于存在和存在物的差异性思考。他把一切事物都纳入到其存在论哲学框架中,把人当作世界讲述自己的一个媒介,唯有如此才能以体验的方式接近艺术的本质,这也正是他存在主义艺术论的目的和意义。

Starting from the perspective of existentialism philosophy,Heidegger searched for the origin of works of art. After analyzing the concepts of the work,the art and the origin,it turns out that there is no external object that can endow art with origin,and art is its own origin. This result just reveals Heidegger＇s thinking about the difference between existence and existences. He put everything into the framework of his ontological philosophy,and regarded human as a medium of the world to tell itself. Only in this way can one approach the essence of art in an experiential way,which is precisely the purpose and significance of Heidegger＇s existentialism art theory.