宋代花鸟画与现代粉彩花鸟瓷画装饰形式语言的比较研究

A Comparative Study of Decorative form Language between Flower-and-bird painting in Song Dynasty and Flower-and-bird Painting in Modern Famill-rose Porcelain

花鸟装饰是粉彩瓷绘数百年发展史上最常见、最引人注目的题材。花鸟画题材在粉彩中的表现,无论从构图、色彩、画艺及纹饰装饰上,都能看到传统花鸟画的遗留痕迹,特别是花鸟画发展到鼎盛时期的宋代花鸟画。本论文基于该基础,从形式语言上分析宋代花鸟画与现代粉彩花鸟瓷画在绘画上的相似性与差异性,以此研究宋代花鸟画与现代粉彩花鸟瓷画装饰比较研究的意义与价值。

Flower-and-bird painting decoration is the most common and striking theme in the development history of Famillrose porcelain painting for hundreds of years. Traces of the flower-and-bird painting in Famill-rose porcelain, especially the flowerand-bird painting of its peak period of Song dynasty, can be seen from the composition, color, painting art and decorative decoration.Based on this foundation, this paper analyzes the similarities and differences between the flower-and-bird painting in Song dynasty and flower-and-bird painting in modern Famill-rose porcelain from the formal language, in order to study the significance and value of the comparative study, and puts forward some personal opinions and suggestions for flower-and-bird painting in modern Famillrose porcelain creation.