从双声、叠韵、叠音词探析宋词的音乐性

An Analysis of Musical Nature of Alliteration, Assonance and Reduplicated Words in Song Ci(Poetry of the Song Dynasty)

历史中,凡唐诗宋词都是可以唱诵的,然而与之对应的乐谱已随时空散去。现代人心中遗憾,致力恢复,但年代久远,无据可依。本文试从几例宋词的双声、叠韵、叠音现象来分析其字里行间的音乐性。双声、叠音词能将词人的情感一拨拨推向高潮,体现声韵重叠的力量感和节奏感。叠韵、叠音词,以及根据词中所压韵脚,对应五音"宫、商、角、徵、羽"韵脚的具体情况,推论出宋词曲子的调性,并得出为之伴奏的乐器。希望能从依声行腔中摸索出些许规律,为还原经典乐曲寻一条出路。

In history, poetry of the Tang and Song dynasty can be sung. However, the corresponding music score has been cleared away while time passed by. The modern people regrets and tries to restore, but no evidence can be found due to the long time. This paper tries to analyze the musicality between the lines from the phenomena of alliteration, assonance and reduplicated words. Alliteration and reduplicated words can draw the poets＇ emotion to the climax, and embody the sense of force and rhythm of the overlapping of the sound. Through assonance, reduplicated words and the word of rhyme feet, corresponding to the tune ＂do re mi sol la＂（gōng shāng jué zhǐ yǔ）, in line with the actual conditions of rhyme, it deduce tunes of Song Ci（Poetry of the Song Dynasty）,as well as the accompanying musical instruments. We hope that we can find out a few rules from the sound chamber and find a way to restore the classical music.