艺术语言的模糊性分析

On Chinese Rhetoric and Its Two Distances

艺术语言作为一种变异语言,其模糊性是由言说客体的模糊性、言说主体的审美情趣的模糊性和接受者的审美能力及审美的模糊性决定的。艺术语言模糊性受传统思维方式影响至深,而艺术思维的形象性是以神话思维的混沌性为基础的,心象思维作为艺术思维的一种具体形式,心象思维的模糊性就映射在艺术思维中,以艺术思维为底色的艺术语言必然带有模糊性。

Rhetoric is based on a certain context, the use of language elements or other means of expression of the object of art processing and selection. Rhetoric on the two ＂two wild＂, that is, Mr. Chen Wang Road, the negative rhetoric, positive rhetoric of the two wild and Mr. Luo Xiaochen proposed by the surface rhetoric, deep rhetoric of the two main points.