摘要
纵览戏曲衣箱的发展史,"改良"和"创新"贯穿始终,是衣箱文化形成和发展的根本属性,也是当代传统文化复兴的关键词。如何平衡非物质文化传承和艺术创作空间拓展的关系,如何避免陷入继承与创新的两难,是当代戏曲衣箱艺术发展的重要课题。因此,寻求因戏制宜、因剧制宜、符合时代审美的多层次、多元化发展模式是当代江浙戏曲人物造型改良的有效途径。
"Improvement"and "innovation"can be found throughout the history of Chinese opera costume system.They are not only the fundamental attributes of the formation and development of costume culture,but also the key words for the revival of contemporary traditional culture.How to balance the inheritance of intangible cultural heritage and the expansion of the space of artistic creation,and how to avoid the dilemma of inheritance and innovation,are worth studying in the development of contemporary Chinese opera costume system.Therefore,in order to improve the role image design of today's Jiangsu and Zhejiang operas,it is an effective way to seek multilevel and diversified development model conforming to the aesthetic standards of the times and the features of the opera itself.
作者
张晓妍
孙莹
ZHANG Xiao-Yan;SUN Ying(College of International Vocational Education,Shanghai Polytechnic University,Shanghai201209,China;Nanhu College,Jiaxing University,Jiaxing314001,China)
出处
《同济大学学报(社会科学版)》
CSSCI
北大核心
2018年第2期67-76,共10页
Journal of Tongji University:Social Science Edition
基金
2017年度上海市社会科学规划教育学一般项目"大数据时代高校审美教育个性化研究"(项目编号:A1713)
关键词
昆曲
越剧
戏曲人物
造型设计
多元化
发展模式
Kunqu Opera
Shaoxing Opera
opera character
role image design
diversification
development model