摘要
迄今为止,中国电影从创作、批评到理论和史学等领域,在与中国社会和世界电影交流互动的过程中,已经形成具有鲜明特色的学术传统,并逐渐获得学派生成的本土语境和主体意识。郑正秋正是通过"电影化"新剧与文以载道的电影观念、"良心上的主张"与观众导向的电影创作,奠定了中国电影的基石,并促进中国电影学派的发生。只有建立在尊重前人的创造与延展学派的传统基础之上,中国电影学派才有其存在的合理性与合法性。
Chinese film study has formed a academic tradition in filmmaking, film critics, film theory and film history study till now. As one of the founders of Chinese cinema,Zheng Zhengqiu raised the "filmmaking for conveying truth", audience-directed concept for filmmaking with a mind advancing with times, which laid the foundation of Chinese cinema. Chinese Film School needs to respect the achievement of ancestors and promote their tradition, which is crucial for its rationality, validity and vitality.
出处
《电影艺术》
CSSCI
北大核心
2018年第2期14-21,共8页
Film Art
关键词
中国电影学派
郑正秋
文以载道
观众导向
与时俱进
Chinese Film School
local context
subject consciousness
Zheng Zhengqiu
writings for conveying truth
audience-directed
advancewith times