远观与重构:论旅苏经历对瞿秋白“文腔革命”的影响

Vision and Reconstruction: On the Influence of Qu Qiubai's Sojourn in the Soviet Union on His “Intonation Revolution”

从1920年代起,中国现代文学在语言方面存在的种种问题就引起了瞿秋白的高度关注,1930年代瞿秋白提出的"文腔革命"更是激进地对"五四"新文化运动及其文学方面的成果进行了系统性的批判。通过对瞿秋白生平的梳理,可以发现在他看上去令人费解的文化建设的构思中,苏联作为一个有着重要影响的因素始终贯穿于其中,瞿秋白在这一时期的许多行动和选择都与其旅苏的经历有关。通过旅苏经历所提供的特殊视角,瞿秋白对"五四"及其成绩进行了深入的反思,并试图重构一场新的文化运动。在瞿秋白看似对新文化运动进行颠覆的"文腔革命"中,也蕴含着对"五四"精神的继承,显示了新文化运动对于中国文学乃至社会所具有的广泛而深刻的建构作用。

Since the 1920 s,Qu Qiubai had paid much attention to various problems in the language of modern Chinese literature,and the ＂intonation revolution＂proposed by him in the 1930 s was a radical criticism of the＂May 4 th ＂new culture movement and its literary achievements. As is found in a glance of Qu Qiubai＇s life,in the conception of his seemingly inexplicable cultural construction,the Soviet Union,as a factor of great influence,has always run through it,and many of the actions and choices of Qu Qiubai during this period are related to his experience in the Soviet Union. Through the special perspective provided by his experience in the Soviet Union,Qu Qiubai conducted in-depth reflections on the ＂May 4 th Movement＂and its achievements,and tried to reconstruct a new cultural movement. In Qu Qiubai＇s ＂intonation revolution＂,which seemed to subvert the new cultural movement,can also be discerned the inheritance of the ＂May 4 th＂spirit,which shows the extensive and profound construction of the new cultural movement for Chinese literature and even the Chinese society.