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略论大花苗核心音调外的“re”音

Analysis of musical sound Re beyond Dahua Miao major tone-sets of songs
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摘要 大花苗古歌是标准的以la、sol、mi、do(其中sol是微升,do是微降)四声音阶带中立音的羽调式音乐。但在大花苗"飞歌"演唱中,部分滇东北地区与威宁地区却存在一定的差别,前者带有核性音调外"另类"的"re"音,威宁地区却仍保留四声。究其原因,主要系基督教音乐的影响,同时也是因应生境的巨变及歌曲创作需求的产物。 Dahua Miao ancient songs tend to focus on Yu mode of four musical sounds la sol mi do as neutral tone of major tone-sets,in which sol is slightly rising and do is slightly falling.However,the musical sounds of Dahua Miao Feige songs partly in the northeast of Yunnan provice vary from those in Weining areas,Guizhou province.The former tend to focus on musical sound re beyond Dahua Miao major tone?sets,the latter tend to keep Yu mode of four musical sounds la sol mi do.During the long-term data collection and analysis of Dahua Miao ancient songs,the paper analyzes the appearance of re sound is owing to the influence from christian music as well as changes of their living environment and needs of songs creation.
作者 熊黏 Xiong Nian(School of Art, Anshun University, Anshun 561000, Guizhou,China)
出处 《安顺学院学报》 2018年第2期48-52,共5页 Journal of Anshun University
基金 2015年国家社科基金项目"北盘江流域大花苗古歌的搜集 整理与研究"(项目编号:15XMZ034)
关键词 大花苗族 飞歌 “re”音 Dahua Miao Feige songs musical sound re
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