摘要
油画艺术家祁海平致力于从中国的书法和西方交响乐中,探求油画作品形而上的精神意象。综观祁海平的油画作品,其画风大约经历了写实、写心和抽象写意这三个发展阶段。其中前两个阶段基本上是在广西转型的,文章拟探讨他在广西时期的艺术追求和审美转变。
As an oil paintist,Qi Haiping has been devoting to exploring the mental imagery of the oil painting based on the Chinese calligraphy and western symphony.Qi Haiping has experienced the three style development periods as realistic depiction,representation and abstract imagery with the two earlier periods occured in Guangxi.This article is to discuss his art pursuit in such two earlier periods in Guangxi.
作者
陈登文
Chen Dengwen(The Art Institute of Anshun University, Anshun 561000, Guizhou, China)
出处
《安顺学院学报》
2018年第2期57-59,115,共4页
Journal of Anshun University
关键词
祁海平
写实
表现
艺术追求
Qi Haiping
freehand
representation
art pursuit