“道”心雕文:《文心雕龙》的文学创作论

Carving a Dragon at the Core of “Taoism” Interpretation Literary Creation Theory of Carving a Dragon at the Core of Literature

《文心雕龙》是中国古代第一部"体大思精"的文学理论批评巨著,全面地总结了南北朝以前的传统哲学、美学的成果。其中道家思想为刘勰构建自己文学创作论,提供了丰富的思想理论资源。本文以道家思想的角度来解读《文心雕龙》的文学创作论,从文学创作的根据与原则、心态与境界以及困难与解难等方面入手,阐述《文心雕龙》与道家思想的密切关系。

Carving a Dragon at the Core of Literature is the first literary criticism which is extensive in scope and penetrating in thought in ancient China,and comprehensively summarizes the achievements of traditional philosophy and aesthetics before the Northern and Southern Dynasties（AD420 – AD589）. Taoism provides a wealth of ideological and theoretical resources for Liu Xie to construct his own literary creation theory. This essay,based on Taoist thought,interprets literary creation theory of Carving a Dragon at the Core of Literature,and elaborates the close relationship between Carving a Dragon at the Core of Literature and Taoism from the bases and principles,mentality and realm of literary creation,as well as difficulties and solutions.