桂林唐宋时期摩崖造像的主要艺术表现及其特点

Main Artistic Representations and Characteristics of Cliffside Images in Guilin in Tang and Song Dynasties

桂林唐宋时期摩崖造像的表现时空感的立体式构图和突出中心的偶像式对称构图,融半圆雕、高浮雕、浅浮雕和阴线刻等于一体的雕刻技法,以及写实的手法,体现了唐宋桂林佛教造像艺术的发展与成熟,并受多元文化的影响,同时也反映了摩崖造像对社会生活和民间艺术的影响,是中国古代雕塑艺术的重要组成部分。

The development and the maturity of Guilin Buddhist image carvings in Tang and Song dynasties are believed to show their manifestations in the cubic composition, an embodiment of time and space, and the symmetrical composition, which highlights the centre.Besides, with more realistic touches, the reflections of the development and maturity can be seen in multiple carving techniques, a perfect fusion of semi-circular carving, deep-relief, bass-relief and in-relief line carving.