吴兴华与20世纪50年代台港的现代诗

Wu Xinghua and the Modern Poetry of Taiwan and Hong Kong in 1950s

梁文星是1950年代港台现代诗坛的重要诗人,他不仅在《人人文学》《今日世界》《文学杂志》等刊物上发表多首诗作,他对新诗的评价也引起台湾诗坛周弃子、夏济安和覃子豪等人的争论。梁文星是林以亮(宋淇)为发表好友吴兴华诗文时所用笔名,吴兴华此时在北京执教。他1940年代的诗文之所以引起港台文坛的回应,部分是因为当时港台诗坛对新诗出路的新探索,也源于新批评理论和人文主义在港台的兴起,这与冷战背景下英美文化输入有关。吴兴华"古典新诠"的题材处理与整饬的诗歌形式也引起台港诗人注意,并成为这种风格的开创者,因而他在港台出现时间短暂,却成为台港文学史的一环。

Liang Wenxing was one of the most important poets in Taiwan and Hong Kong in 1950 s. He not only published a number of poems in Every Man＇s Literature,Today＇s World and the Literature Journal,but his critics on new poetry also aroused debate in poetic circles among Taiwan intellectuals such as Zhou Qizi,Xia Ji＇an and Qin Zihao. Lin Yiliang published his friend Wu Xinghua＇s works under the pseudonym of Liang Wenxing because Wu was at that time a professor at Beijing University. The reasons why the poems and essays Wu wrote in 1940 s could attract literary response in Taiwan and Hong Kong is partly due to the new exploration of the way of development for poetic circles of Taiwan and Hong Kong,and partly due to the rise of new criticism theory and humanism. In fact,this has something to do with the cultural input of the United States and Britain under the background of cold war. On the other hand,the treatment of subject matter of Wu Xinghua＇s ＂New Interpretation of the Classical Poetry＂and his rectified poetry form also draw the attention of the poets from Taiwan and Hong Kong,and thus is considered the pioneer of this style. Therefore,he becomes an important part of the history of Taiwan and Hong Kong literature even though he just appears in these two places for a short time.