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科技革命与电影中的后人类景观 被引量:1

Technology Revolution and Cultural Spectacle of Posthuman in Cinema
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摘要 以AlphaGo事件为标志,后人类命题开始正式地进入了人类的生活。新的技术时代,人类如何去定义自身、如何去看待人与机器之间的关系等后人类命题以一种迫切等待回应的姿态出现。本文试图以电影工业的文本作为分析对象,剖析如下三种主题:机器反噬人类、机器对人类的守护和帮助、赛博格神话的期许与破灭,以科幻电影的后人类景观,揭示当下人们对高速发展的科技所持的情感和判断。 The AlphaGo marks the proposition of the Posthuman entering into people's everyday life.In the new era of technology,we need to find out how we define ourselves and how we perceive the relationship between humans and machines.This article analyzes the texts of the film,indentifying the following three themes:machine devours human,machine on the human's guardian and help,the expectations and destructions on the myth of cyborg. With the analysis of the posthuman spectacle in the science fiction films,the article reveals the emotion and judgment of human beings when they face the the rapid development of science and technology.
作者 涂俊仪 Junyi Tu(School of Journalism and Communication, Peking Universit)
出处 《全球传媒学刊》 2018年第1期111-119,共9页 Global Journal of Media Studies
关键词 科技革命 科幻电影 后人类 主体 Technology Revolution Science Fiction Film Posthuman Subjectivity
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