理想定位、边缘化处境与民族情结——民国学人及书法美学家视野中的书法定位考察

On Identity Establishment,Marginalization and National Emotions——An Observation of Identity Establishment of Calligraphy in Republican Period

在民国书法理论从古典向现代形态转型的过程中,书法面临着用西方艺术分类学的立场进行身份定位的问题。这个时期,"书法是艺术"的观念成为了学人的主流认识,许许多多的学人和书法美学家都给了书法很高的艺术地位,对书法美的价值予以充分的肯定,但在当时现实的社会文化中,书法却处于边缘化的境地。这种观念形态与现实的反差,与当时学者普遍的民族情结有关。

Though calligraphy was faced with identity establishment by western artistic classification during the transformation from the classical calligraphic theory to the modern one in the Republican Period,it was highly valued by most scholars and aestheticians of the day. However calligraphy was marginalized in real society. The fact that scholars attached importance to calligraphy involves national emotions.